Archive for the ‘Arts’ Category

A last resort

Friday, February 11th, 2011

drawing

Stock image libraries are strange places for graphic designers. The rise of cheap, affordable image libraries in recent years could be seen by some as a God send. However I don’t see it that way. I see them as a kind of Hell, Purgatory if you like. A place where a once creative individual can spend hours locked in a world of annoyingly over smiley, slim, attractive American models with perfect teeth. Not that I have anything against attractive American models with perfect teeth, it’s just they don’t always look like they belong. Like Lady GaGa at a W.I. meeting. I’ve lost many hours of my life trawling through these websites trying to find something usable. Hours that I can never get back, and it was killing my creativity.

Have you ever been given a design brief and found the first thing you did was type words into a stock site to see what came up? To my shame, I have. That’s what these sites do to you, they whisper in your ear and tell you there is a stock image for everything. You can have your cake and eat it, all for $5.

A while ago it hit me. I was fed up with being a graphic designer. I hated that my job had become so predictable as it was unpredictability that had attracted me to design in the first place. As a kid growing up I loved art, but when I was deciding what career path to follow I came to the conclusion that artists only became famous and made money after they’d died. I mean no disrespect to artists, but in the words of Brian Clough, “Don’t send me flowers when I’m dead. If you like me, send them while I’m alive.” So I chose the world of commercial graphic design.

It occurred to me that I’d been neglecting the very skills that had brought me to where I was. I can hold a pencil, I can draw, I can paint. I like to create something new, something unique, something artistic. Why was I wasting hours of my life sifting through endless pages of search results? I could be spending my time coming up with a truly creative solution. And with that thought, with the decision to pick up the arts that I loved, I rediscovered my passion for design and my inspiration to do something new.

If you browse our website, I’m sure you’ll be able to spot a few stock images in some of our work. Unfortunately in some cases, stock images are a necessary evil. I’d much rather come up with an illustration or commission a photographer, and where I can, I do. Sometimes though, it’s just not practical, it’s unavoidable. When a client asks me to “just find a stock image to go there,” I now tell them that every time I have to search for a stock image, a part of my soul dies! On a tangent, if there are any photographers out there reading this, my advice to you (free of charge)… Get together a large group of people made up of multiple ethnic groups, all ages and both sexes. That image will make you a small fortune! My advice to my fellow designers though, see royalty free stock image websites for what they truly are… a last resort.

Andy Cogdon
Cogdon, Clark & Tranter

Are young people interested in classical?

Tuesday, January 19th, 2010

Images of over 50’s and stuffy librarians are usually conjured up when asked about the demographic that is attracted to classical, but is this REALLY true? Reverb at the Roundhouse is attempting to prove that theory wrong. This new series of events is aimed at breaking the mould and converting the trendy young music fans that fill this fantastic venue into classical lovers.

It will be interesting to see if the likes of The London Contemporary Orchestra (whose average age is a mere 25) is enough to give these events the traction they deserve. For more information on how you can attend these events visit: http://www.roundhouse.org.uk/whats-on/series/reverb

Public Art during the snow season in Derby

Thursday, January 7th, 2010

Wooden Toys - jet Engine

Wooden Toys

Some shots above which I captured of the wonderful wooden toys by Derbyshire sculptor Andrew Frost which have been in our Market Place over the festive period, a project which I led and was achieved through a partnership of Derby companies and organisations. There have also been some tempory pieces public art appearing across the city over the last few days which have been captured on camera, this Formula 1 car was created in Abbey Street car park… impressive, if anyone else have any snow related public art creations they wish to share, please do share them with us here at CIN by posting a link to them in the comments, as we love to see creative things popping up across our city and delighting us.

Formula 1 Car in Derby

To find out more about the Christmas Playground project visit www.christmasplayground.co.uk

The toys are today being moved today to the childrens ward at Royal Derby Hospital for children there to continue to enjoy.

Posted by: Dawn Foote

Limited Edition or Open Edition

Tuesday, December 22nd, 2009

Limited edition or  open edition, this is always a difficult question to decide upon when you produce work that you sell for non commercial purposes. I personally love open editions because they are affordable, accessible and available to the masses. Also from an artists perspective they are great because you can use the artwork in lots of different ways. Why should it just be an art print? A piece of art, especially graphic art can be used for so many mediums, for example a bag, a t shirt, wallpaper, the side of VW camper (watch this space) you name it the possibilities are endless. Check out this image for Oakley Sunglasses packaging I did, which was adapted from the “All you need is rock” open edition. Its not exactly the same as the original print, but I would’nt have been happy to use it if it had been originaly a limited edition.

Oakley Sunglasses

In terms of the open editions I sell, I am always happy to sign them, they are printed on the same high quality art paper, and its not like I intend to make 1000’s of prints of a piece (unless a great offer comes along ;-) ).  So to a certain extent they are similar to a limited edition.

With all that in mind, the reality is when you start selling you art, a lot of buyers will only buy limited editions, and the smaller the edition the better. In fact quite a few people ask me to do one off commissions for them, where there will only ever be one piece in existence.  I totally get that, its nice to own something special and unique, especially by an artist you really like. I have a few limited editions by Julie West which I totally adore. They feel even more special because they are limited edition.

I guess the bottom line is, I just want people to see and enjoy my work. So I will continue to do both open, limited and one off commisions, so anyone can own my work.

Visibility on the web

Tuesday, December 15th, 2009

Came across this article by Michael Arrington. He’s painting a picture of an ever more complicated world of digital media built on tons and tons of crap. The challenge is to find visibility through that morass. Talent will always out but we really need new tools to sift out the dumbification of media. This thing ain’t getting any easier.

Arts and public sector funding is in rapid decline

Wednesday, September 2nd, 2009

Artists and arts organisations need to be rethinking their plans for their business if they have a significant reliance on public sector funding. Individuals in particular need to be concerned as I have heard a stat that public sector funding for artists will decline by 44% in 2010/11. Arts Quarter are carrying a survey on this here which should keep you posted. ACE is under huge pressure with the third year of their settlement not finalised, all local authorities are facing massive budgetary problems and trusts and charities are being hit by low interest rates. There’s not a lot of good news and the recession will impact later as public budgets are set. That is why ACE has set up Sustain, but this is of use only to organisations. Now more than ever artists need to be innovative, commercial and take a portmanteau approach to building their careers and businesses.

Keith Jeffrey

Director, QUAD